大象的眼泪（粤语版）

看过第二集的《暮光（Twilight）》以后，我决定再也不看以后的续集，因为第二集实在拍得太罗嗦，就好像贝拉(Bella)在吸血鬼帅哥和狼人猛男之间的纠结那般唧唧歪歪。而且，男主角实在是烂的可以的演技也让人提不起任何劲头。但是这个小伙子就是在好莱坞火了，在这部《大象的眼泪（Water for Elephants）》里面，居然找了影后和影帝给他配戏。看过一篇八卦指数颇高的报道，罗伯特•帕丁森 (Robert Pattinson)还是少年的时候，演过瑞茜•威瑟斯彭 (Reese Witherspoon)的儿子，如今在大屏幕上演了情侣，除了感叹瑞茜•威瑟斯彭 (Reese Witherspoon)的驻颜有术之外，怎么都觉得隐隐有点乱伦的味道。而且我一直觉得，罗伯特•帕丁森 (Robert Pattinson)的演技一直都像《暮光》中那样别扭，西方的少女们凭什么为这个总是似笑非笑、鼻梁歪到一边的小子如此痴狂呢？

        影片是一个老人讲述自己人生经历。雅格生在一个小康之间，一次车祸带走了他父母的生命，适逢美国经济大萧条时期，本应成为一名兽医的他成了无家可归的流浪者。一次扒火车的经历让他成了马戏团的一员，在这里他不仅遇到了一只名叫罗西的大象，还遇到了改变他一生的女人——马连娜。

    马戏团是一个真正弱肉强食的地方，艺人如果对马戏团没用了可能被扔出飞驰的火车或是被卖掉；老板如果没法发给大家工钱，会被艺人们吃到一根骨头都不剩。在这个小社会里，有本事的人永远受人敬重，没本事的根本连存在的必要都没有。

    罗西是为了解决马戏团的财政危机才被买回来的，老板奥古斯特为了赚钱，急功近利的他用象钩狠狠地戳向罗西。总觉得大象是过于温顺了，不然一只脚就完全可以把奥古斯特踩扁。在奥古斯特眼中，无论是妻子还是大象，还是马戏团里的所有人，他都是用这种近乎残暴的方式把他们管束起来，只要能赚到钱，他就永远是他们的老大。

    我觉得马连娜是爱奥古斯特的，不然不会用那样的神情讲述他们的初次相遇，不会在遇到雅格的时候如此的隐忍。但奥古斯特不信任她，而是把她当做自己的财产一般牢牢地攥在手心里，如果得不到就马上毁掉。飞驰的火车上，雅格承诺，只是为了给她更好的生活，如果她不爱他，随时可以离开。不是有句名言是“生命诚可贵，爱情价更高，若为自由故，二者皆可抛”吗？森林里的风餐露宿，金丝鸟笼里的锦衣玉食，鸟儿更爱哪一个？因为森林给了鸟儿尊重，于是无论多么精致的鸟食都无法消磨鸟儿回归森林的心。

    人毕竟不是赚钱的机器，动物也不是印钞机，钞票只是能让我们更好生存的一种手段。无论是马连娜还是罗西，都义无反顾地跟雅格走了。虽然马戏团由于罗西马上就可以赚大钱了，但艺人们还是亲手毁了这个收纳他们很久的家园，当然，由于大家长奥古斯特的原因，人们已经不愿再承认这个家了。

    雅格的个人魅力其实是比不上奥古斯特的，但他比奥古斯特更加懂得什么是尊重，什么是爱，于是便比奥古斯特更值得拥有如此美好的生活。

没有看过原著的我，对电影叙述的故事，少了很多感动。Water for Elephant 为什么会被译成大象的眼泪，在看完影片后十分不解，既不符合原意，也不代表意义。仅就影片而言，寥寥数语即可严尽。基本的故事框架，发生在大萧条时代的美国，三方纠葛的感情故事以团圆结尾。电影确实在效果上重现了过去那个年代，各色的动物也给观众展现了一个活生生的巡游马戏团。在表演上，最出色的是马戏团的主人，而我们的男女主角都表现平平。还有，就是我们题目的主角：大象。这是一头个子不大，已经五十多岁的大象，叫萝西。身上有着深浅不一的斑点，非常的漂亮。不知道在原著中是如何描述萝西的，但是影片里的大象在我看来，很适合这个名字。

即便是影片本身平平，但是这应该是一个多么不一样的故事啊！每个人小的时候都一定会看过马戏团的表演，每个小小的脑袋里都一定幻想着自己可以成为马戏团的一员，可以身怀绝技，跟动物交流，浪迹世界，不是吗？当我们的主人公在心灰意冷，走在生活尽头的时候，他跳上一趟疾驰而过的火车，就跳上了一个不一样的人生剧场。所以我决定要看一看原著，看一看Sara Gruen笔下的马戏团的人生，去认识一个不一样的萝西，去看一下文字里的马戏表演。

电影作为一个整体来讲，摄影和剪辑上并没有什么不满意。
男主女主实在是雷的⋯⋯
一个cornel毕业的男一考毕业考试之前父母出车祸挂了
这位亲灰心丧气对生活失去意义所以毕业考也不考了，准备去城里找工作
（时逢美国depression）然后半路随便地上了一辆火车，发现是一个马戏团
于是觉得马戏团也挺好，抱着兽医未完的学位开始在马戏团里面整理粪便
自然就遇到了马戏团团长丰艳美丽的老婆，就是我们的女一。
最初让女一对男一改变印象的是，马戏团里面的主要表演马匹腿受伤了，马戏团长认为它还可以再跑个表演，男主以一句“he's suffering”的理由，拿枪把马给枪.毙了，由此给女一一个“你好善良哟亲”的印象。
枪阿！别人拿来当命根子的马阿！！一火车人的生机都靠它的马阿！！！就这么毙了阿！毙完以后还一副百莲花样子阿！
好吧你爱动物你是好兽医，后来马戏团没有主要表演，缺钱只能把成员扔下火车。
男主那个愤恨哟那个圣母哟怎么能不养你的成员哟??TMD是谁把赚钱的马给枪毙了阿！
马没了马戏团长就去买了个大象，为此欠了一屁股债。
团长让男主去训练大象，男主就走到大象面前“你走把亲”“亲你动动吧哟亲”。。。
马戏团长就拿起训练动物的棍子打了大象几下大象才走了，女一立马就拿愤怒地眼神看着她老公
它自己不走你劝劝他阿亲！多疏通疏通它就听话了阿亲！聊天是跟马戏团动物沟通的重要条件阿亲！不能打阿！给差评阿！
然后又热爱跟动物聊天又唯唯诺诺连喂动物都不会的男主，形象在女一心目中就高大起来了有木有！
两个人就搞到一起了阿，趁着马戏团长请客的时候去拿香槟的功夫就搞上了阿！
事后女主一副“当作神马都没有发生”的样子拍拍屁股就去跟马戏团长滚床单了阿！宝贝儿我不怪你打大象了我原谅你了阿！
后来又经过一段训练大象赚钱马戏团发展蒸蒸日上后，马戏团长终于发现自己老婆跟兽医有暧昧了阿
他就把兽医打了一顿阿，不行阿！兽医打不得阿！打了就得跑阿咱不负担这个责任继续待了！
跑之前还把女一带走了阿！带走得当晚还在马戏团长的势力范围，俩人不管不顾阿！就H了一晚上阿！
睡觉到天亮马戏团长就找到了阿，把男主又打了一顿把自己明媒正娶的老婆带走了阿！
男主的金手指就开了阿！主角光环就闪亮了阿！他徒步追上了火车又爬上去了没有人看到阿！！！！
最后在一场马戏团表演期间男主的基友们把动物们都放出来了阿！表演的和观看的都给踩了扑了阿！
但是这些都不重要阿，重要的是男主得把女主从她老公的魔掌里面救出来阿于是他就英勇地指使大象，把马戏团长瀑头了阿！
从此姧夫和淫妇过上了美好而幸福的生活哟！还生了五个孩子阿！！！！！
谁来告诉我这个三观是正确的世界是美好的只是我太瀑躁T口T！

Tony promised a surprise to me if I was able to apply for 20 new jobs within two days. While I failed to hit the goal at the end of the day, with the submission of only 15 new jobs, my sweet Mr. Hairball decided to deliver the surprise as he was convinced that I have been making a real effort in order to accomplish that difficult task.

The prize came out to be a beautiful movie called "Water for Elephants" at Scotiabank Theater, starred by Robert Pattinson, Reese Witherspoon and Christoph Waltz. It was not among the movies that could give you an easy and amusing time on a Sunday night, but belonged to the category of movies that would truly help you think and feel. The story was about a veterinary student, Jacob, abandoned his studies after his parents were killed and joined a traveling circus as their vet. There he met the girl of his dream, Marlena, who was also the wife of his boss August. They fell in love while taking care of the new star attraction of the circus: a smart baby elephant. With overwhelming love for each other and inconceivable courage toward better future, they were able to defeat the brutality of August and the cruelty of the times.

I think the movie has chosen a very good perspective to tell the story, for the reason that a circus is always a place full of ironies. It supposed to be a place that brings out the most amounts of true joys, but it was actually with tremendous hardship and tragedies underneath. It looks like a place full of intra-species love and communication, but it was actually dominated by wildness and manipulations. After all, a circus show was just another lucrative delusion of joys, a typical bloody business as many of the others in the historical period of Mid-20-century America. While Jacob, on the other hand, who served as a representative of the scarcely existed humanities during that era, has made every effort to struggle for true love and true cares. The reward for him was a girl of his dream and an immortal life story to be shared with his deeply touched audience.

I was very happy to find Tony loved the movie all the same, although I am pretty sure that he could have some unshared feelings about it from a different angle due to his previous experiences. For that, I would like to respect and protect. “What if there was a happy ending for our past tragedies?” This is always a sentimental and magical question to think about. The singularity of the chance to live and the unrepeatableness of time have left us with a limited extent of choices as well as a great legacy of many unfinished yet unable-to-be-finished stories. In my eyes, it never harms to let the stories and pities finished with the help of movies and imagine for the moment about other possibilities of our own lives.

And I have my unleashed thoughts too. “Where were you when I was seventeen?”When Marlena asked Jacob, helplessly yet hopefully, at that dancing party, I could clearly remember similar words coming out of my own mouth in the far-away past. The answer to that question was nothing about where were you exactly when I was seventeen; it was everything about what I am going to do with my already changed demand and feelings for life now. However, a big problem in the real world about that is: the true courage in striving for better future could be looking very similar to the ungrateful boldness to screw up a pretty good life. People need wisdom to tell the difference between the two, otherwise there could be a costly price to pay for simply being romantic. For example, in the movie I totally understood Jacob’s affections for Marlena and I completely caught Marlena’s internal unsatisfaction in her marriage with August, yet I pretty doubt about how would Marlena immediately feel after August’s death. August was her husband. He was the right person for her to meet when she was seventeen. He was a super evil for everyone else in the world except for her. As an audience, I feel delighted for Marlena and Jacob’s living happily ever after. But did August deserve such an applauded betrayal and demise as that?

Love is truly beautiful, but love is also selfish. There is hardly right-or-wrong answer in any love story. It is touchy as long as it is real. - Once again ironically, these words came from someone who was somehow hurt by the love story that I am enjoying right now. I am always trying to feel, what exactly did Jacob see in that 1939 picture of the Winnie Brothers’ Circus Show at the very beginning of the movie? Cherished memory of his passed wife, grateful appreciation toward his own life, mixed feelings for his long-dead friend and enemy August? Despite all the complexity and ambiguity in his feelings, interestingly, that feeling reaches the bottom of our hearts and became something that we are all yearning for at the end of the day. When Tony and I, hand-in-hand, came off as the last two persons who walked out of the cinema that night, I could not help thinking about one simple question: if there is ever any audience for our own life, would they enjoy the show as much as we just did?

Jessica
May 16 2011