天堂孤影1986

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主演:马蒂·佩龙帕,卡蒂·奥廷宁,萨卡里·库斯曼嫩

类型:电影地区:其它语言:其它年份:1986

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 剧照

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 剧情介绍

天堂孤影1986电影免费高清在线观看全集。
  环卫公司垃圾车驾驶员尼卡德(Matti Pellonpää 饰)的老同事计划筹资组建自己的环卫公司,邀请尼卡德技术入股,但老同事不久急病突发身亡,尼卡德的生活重回一潭死水状态。尼卡德心有不甘借酒滋事,在被拘留的时候结识日后的同事米卡拉。米卡拉偶而会不识趣的妨碍尼卡德暗地追求超市售货员伊罗娜(Kati Outinen 饰),但他仍是尼卡德最可依赖的朋友。伊罗娜为报复超市经理偷走了钱盒,尼卡德帮助她找到服装店的新工作,服装店经理夹到尼卡德与伊罗娜的关系中间,但尼卡德最终夺回了自己的爱人。  本片获1987年芬兰电影尤西奖最佳影片奖。是导演郭立斯马基(Aki Kaurismäki)无产阶级三部曲的第一部。诸神之战3封神英雄杀戮都市电影版我的兄弟姐妹香烟女孩乡村爱情16水乡迷情好想做一次第一季缘来是咱俩不可思议的杰西卡·詹姆斯公爵误入青春像小强一样活着白乌鸦2018黎明终至女生规则普通话版夜伴歌声蝶恋花真爱故事第一季咫尺之间阳光爱人罪犯怒放的铁甲梦精记渴望(1990)烽火少年测谎人名校风暴 第四季梅费尔行动我死之日妻子的噩梦人间逍遥西门庆巨齿鲨拳精拿开你的手美国恐怖故事第五季

 长篇影评

 1 ) My Questions on Shadows in Paradise

Actually this is one of my assignments from my foreign teacher who recommended us to watch and ponder on the film. I use plain language to share some of my thoughts here with you and hope you guys will enjoy it!

Feel free to comment!

Questions:
        How to understand the characters in the movie Shadows in Paradise?
        What does the ship which is going off at the end of the movie symbolize?

Possible Answers:
        After watching the film first time, I felt it a comedy with happy ending. However, when I watch the film a second time, I feel depressed, and I have a totally different feeling from the first time. I regard it as an ideal dream of the working class rather than a simple comedy of the workers. This film reminds me of The Flies, which we’ve read last semester. Both of the film and the article are talking about the stories of the same class, the lower working class, which has nothing glamorous but unique. As we all know, paradise represents a bright and joyful image, so how come there are some shadows in paradise? This is the question occurred to me when I first read the title of the movie. Trying to understand the film and the theme, I approach to the understanding of the characters first.
        In the movie, there are two main characters and four other characters. I’d like to divide them into different groups according to the different criteria for the sake of better understanding of the characters.

                 Attitudes towards Life

1.Positive: Make a change
2.Negative: Stay in comfort zone

        According to the attitudes towards life, I categorize the characters into two groups: make a change and stay in comfort zone.
    What I’m most impressed by this movie is that the characters’ desire to make a change. Firstly, the coworker of Nikander, who had a dream to travel around the world with his wife, wanted to run a company by himself. He was fed up with the current job for twenty-five years and he was longing for change. He was so positive towards life, but he worked too hard and prepared a lot for his dream. He even died when he was working. This makes me think of those events in nowadays society, which are the premature deaths of the elites in society. As we all know, if we want to gain something, we have to pay the price sooner or later. However, those premature dead people are working too hard to stand. Although they are positive towards life and willing to make a change, they overwork to make up the lost. Their attitudes towards life should be appreciated, but their method of wealth accumulation should not be complimented. As Confucius has said, enough is as good as a feast. We should be satisfied when we have enough sources. This is probably a correct method of making a change.
        Secondly, the main character, Nikander, is also a member of the positive group. He was willing to be a foreman when his coworker suggested him to be and he learned English after work in order to improve himself. He kept on trying, kept on making a change even he was only a garbage collector, a blue-collar worker. Even though he hadn’t a decent job, he kept everything of his life in order: he went to work on time every day, cooked dinner for himself, and folded his clothes tidily. In my opinion, arranging one’s daily life in order itself is a kind of positive act. The others may have held him in contempt, but the most important thing is that he never looks down upon himself and he is always positive towards life.
        Last but not the least, the partner of Nikander, a jobless person who was arrested in the jail before, was positive as well. He was willing to work and wanted to make a change in his life. He began changing from getting a job, helping Nikander, visiting Nikander when he was crossed in love and taking care of Nikander when he was in the hospital. They were trying to make a change in their life and struggling in the working class.
        In this movie, the characters, though in the inferior status and lower working class, I think are optimistic towards life except Liona’s attitude was controversial.
        Liona went through a lot but she seldom took action to make a change in the previous half of the movie. When she was fired for no reason, she chose to steal the money box and avoid the reality. She requested Nikander to drive her out of the town. In my viewpoint, if she really wanted to make a change, she should use some practical and legal methods rather than this illegal and negative means. Because she must know the result that she would stand accused of theft by the police after she returned home. That is to say, she must know this act will not work and all these would be in vain at the start of her plan. So what’s the point doing this if she really wanted a change in life? She could have appealed to law or the Labour Union for getting a reasonable reply of her unemployment. But she didn’t. From this aspect, she seemed to be negative towards life because she just tried to avoid the cruel reality.
        However, taking her act at another thought, she was still trying even when she was sure to fail. She attempted to make a change and get hold of her own life, though the method she adopted didn’t work. Thus we may interpret this act as a positive attitude of her deep heart from this aspect. What’s more, she was still positive towards life when she chose to leave with Nikanda in the end. This was also an act that she tried to make a change in her life. Probably getting on the ship with Nikander was a signal of revolution.
        To sum up, Liona had both of the positive and negative attitudes towards life which made her attitude controversial. Above all is how I understand the characters from the perspectives of attitudes towards life.

                 Social Status

          1.Upper Class
          2.Lower Class
        
        This movie is mainly talking about the life in the lower working class. The major characters are just like the representative of the lower class in society. They don’t have decent job or well-paid salary, let alone the high-class network in society. They looked more serious and sober. Liona, was the most typical characters of the lower class. She seldom showed a smile on her face, probably because there was nothing worth smiling about in the life of lower class. We know the life of the lower class from her. She was fired the third time for no reason; she turned to steal for revenge because she was unemployed; she had to live in Nikander’s house for accommodation; she had to find a job with the help of men; she had to eat hamburger besides the road rather than have dinner in the restaurant. Those people in lower class had something in common with her.: they haven’t got steady jobs and networks to help.
        Like Liona, Nikander was also a typical character in the lower class. He was looked down upon by the waiter in the restaurant and the manager of the shop because his dress and job. Through their life, we know the life of lower class is full of bitterness and prejudice. This environment is like the shadows existing in society. Anything glamorous doesn’t belong to them. We’re usually attracted by the paradise, the halo of upper class; however, after watching the film, I know that we can’t overlook the shadows, the dark side of society.
        Unlike the lower class, the people in the upper class enjoyed the well-paid salary, stable job and the better quality of service. The manager of the clothes shop could be categorized into this group. He could offer Liona a job; he could have dinner in the restaurant and never bother whether there was a seat or not. The people in upper class enjoy the privileges and live a more comfortable life than those in lower class.
        This is how I understand the characters from the perspective of different social status.

               Attitudes towards Love

         1.Confused
         2.Persistent

        The love story served as a main thread through the whole movie. To understand their attitudes towards love is of great importance. Liona was confused about love when she was in the crossway to make a decision between the manager and Nikander. These two alternatives represented bread and love, the permanent topic in our reality. She was so confused that she didn’t know which to choose. Bread or love, that is a question. Liona first was a realistic lady when she chose the manager, the bread in life. Because she knew she could not live without a job and money. I quite agreed with her first decision. After all, life is cruel. However, she finally looked into her deep heart and found out the real answer, the true love in human. She chose to believe in the power of love so she took an act to leave with Nikander in the end. This is her final decision and attitude towards love.
        Concerning love, Nikander was everything that Liona wasn’t. He was persistent, faithful and loyal to love. He let Liona live in his house for shelter; he gave the money back to the manager of supermarket for Liona; he never gave up Liona even when she had another man. His persistence towards love won Liona’s heart eventually.
        This is how I understand the characters from the perspective of attitudes towards love.


        After analyzing the characters in the movie, I have a better understanding of the theme. The ship also which is going off at the end of the movie makes me think a lot. I have to say the director of the film is a genius because he leaves enough space for the audience to ponder and reflect after watching it, especially the ending part, a marvelous job.
        When the ship was sailing out in the end, the audience may think where were they going? How was the future life of them? These are the questions I think about. I believe many other people may think alike.
        On the surface, the ship with Liona and Nikander on it symbolizes the happy ending of the couple. They finally got together and went for the honeymoon. They took an act and made a change in their life regardless of reality. They may probably have a romantic cruise or a fantastic journey. However, is life really so simple? Does their destination really exist? This ending makes me think of the happy endings of the fairy tales. As we all know, the endings of the fairy tales are like this: from now on, the prince and princess live a happy life forever. Nothing more is described about their future marriage life. But we can guess their life full of pressure and trivial daily troubles. They are the noble so they must be under the pressure of royalty and public. What’s more, they have to deal with those daily necessities let which they seldom concern about before marriage. They have to face to the reality after all. Can they live a happy life forever? That ending just can cheat those children who have never taste the bitterness of the life.
        Similarly, Nikander and Liona are like the prince and princess, who have to face to the reality and have to struggle in the shadows of society after their cruise. Life is never so simple that we can find a place without troubles and tensions. The ship at the end of the movie is like our life, which is dynamic and full of uncertainties. Nikander and Liona wish to be happy and out of pressure from work and society. The ship which was sailing away, like floating up to the paradise, can symbolize the hope of a new life, the paradise in their heart. In their minds, the ship will lead them to the paradise, where they can be away from the shadows in society; nevertheless, that place doesn’t exist. Wherever we are, whoever we are, we still have to tackle those troubles in life. The lyrics of the song at the end of the film “life itself is painful” also tell us the essence of life lies more in its bitterness than in sweetness.
        We don’t know what’s going on in their life, but their future is open to our predictions.
        Maybe they will live an undramatic life in the future and everything will like the same as usual when they are back. Liona may be busy with finding a new job; meanwhile, Nikander may do the routine garbage-man work everyday. Although their life is full of dull work and uneasy things, they might still feel very happy and satisfied in deep heart. As we all know, the definition of happiness varies from person to person. Happiness to them may mean the satisfying feeling in their heart rather than wealth and reputation.
        Who knows maybe they will live a dramatic life? Nikander and Liona may find some commercial opportunities during their journey and they might run their own business in the future. Very soon, they may gain a huge amount of money and climb up to the upper class.
        What’s more, maybe they live in a much more miserable life than before. Liona may probably lose the job and have to struggle in job searching when they are back. Society is competitive and tough. If there is no vacancy for her, she won’t probably earn a living. The same case may also happen to Nikander. He is only a blue collar in the lower class and he might be fired someday for no reason like Liona. Then their life will be a mess and miserable.
        The ship gives me a lot of imaginations and these are the three possibilities I can think of about their future.
        Back to the ship, it will lead us to far shore, but we will never know where is our destination and when will we be there. Our life experience is like the ship, sailing in the endless ocean, fighting with the storms, waiting to get to another shore without clear destination. Like Lin Yutang said before, life is like a dream. Everything is changing on the way, but the most important thing is that Nikander and Liona have found out the things that worth cherishing in their life, which is love.
        In a nutshell, the ship symbolizes our life, which is full of ups and downs, and filled with uncertainties. What’s more, the happy ending of the main characters is just a dream and the place where they leave for is the paradise in their hearts, which doesn’t exist.

 2 ) 你知我有多孤单?

看考里斯马基的电影总是有趣的。

特别偏爱的演员老是那几位,这部的A角是另外一部里的B角,随便一个路人看着都眼熟。还有以墙挂照片露脸的方式客串纪念(《没有过去的男人》,马蒂·佩龙帕),简直就像找茬儿和连连看游戏,观众屡玩不爽。加上他的影像环境停留在充满复古色彩的80年代,时间的变幻与几位演员的轮番登场给我造成混淆,所以曾在某一刻(《勒阿弗尔》中主角的妻子,扮演者卡蒂·奥廷宁出场时),我感叹道,天啊,她竟然这样老了!

卡蒂·奥廷宁,《天堂孤影》

你也会不自主的将这些演员曾经诠释的各个角色相互代入,比如《升空号》中的狱友正是《天堂孤影》里勇敢夺爱的男主角,当他说自己犯下凶杀罪时,你就会觉得他必定是情杀无疑;当《薄暮之光》的保安小哥(詹·海帝安饰)出现在相隔10多年的《希望的另一面》中时,你便会想啊,这么多年过去了,不知他与那个默默爱他的餐车女孩生活的如何?

詹·海帝安(右),《薄暮之光》

相似而模糊的角色设置与固定的演员班底,在为阿基电影营造流畅延续感的同时,也成为隐藏其中的特殊彩蛋。所以,不要再说谁谁谁是熟脸了,既然影像记录他们的体态面容正在阿基呈现出变与不变的空间容量之中,那么就把这当作是他们真实的人物串场吧。

充斥着高昂歌声的赫尔辛基,永远干净与萧瑟并存的街道,不变的电车与餐馆,门口揣着手抽闷烟的男男女女,万般苦涩,往日时光。数十年如一部,被从不超过90分钟时长的影像尽收到底。

作为阿基考里斯马基“无产阶级三部曲”第一部的《天堂孤影》,便是由上文提到,与他合作最多的男女演员(马蒂·佩龙帕与卡蒂·奥廷宁)共同主演的电影。

马蒂·佩龙帕,《天堂孤影》

熟悉考里斯马基的影迷都知道,他的电影主题永远是“孤独与希望”

开场十分钟,被朋友拉伙一起创业的男主角,经历了惊喜与意外的几度波折。转机总是赶不上危机,还没说几句话,他那壮志踌躇的老朋友,作为未来好生活的希望象征,就那样死在了垃圾车下。

相比较而言,阿基的前期作品似乎更冷、更狠、更加直接。人物的苦涩和反应的主动性更大一些,影片同情的眼光则更淡,暖意也没有那么突出,甚至都不曾出现,这一点体现在《火柴厂女工》里尤为明显。

卡蒂·奥廷宁,《火柴厂女工》

似乎还没有走到被社会无情践踏后,于爱情中求得栖息之所的那一步,《天堂孤影》中的男女主角,就是那么纯粹地、一见钟情地,谈了场真实无比的恋爱。也是从这一部起,我们开始看到爱情,是如何在底层人民无奈挣扎的生活当中产生波澜的。

对于男主角,哪怕我只是个垃圾工,我没钱,我性子闷,一旦爱上了,我就要对你好。有情敌,我也要坚强。你走了,我还是爱你,生活残酷,却有希望,因为我不相信你那么没有良心。看着吧,我正好好学习英语呢,最后我总能带着牛气与自信,让你跟我走;

对于女主角,一言不合就被辞退的操蛋日子真是过够了,生活的窘境让我看不到爱情的光。不是非你不可,我在犹豫、观察和试探着呢。我爱上了你,可我不甘心。我跟别人好了,我终于进来高级餐厅吃饭了。知道吗,我记得跟你来过这里,但是那次没位子。跟不喜欢的人在一起,你知道我有多孤单?爱真让人伤脑筋,但我不能违背自己的心;

而朋友呢?他知晓一切。

善解人意的朋友兼工作伙伴

高福利政策下的芬兰让你衣食无忧,不必冻死街头,不必饿坏肚子,但你仍旧是孤独的。你的孤独和无助没人管,你受到的冷漠与轻视无人过问;别人骗了你,你安慰自己这没什么;爱人离开了,你也只能放着狠话,你何不现在立刻就走?

引发孤独异化的冷漠危机,是阿基电影故事中的大敌。它可能是《希望的另一面》中的移民局,《升空号》和《薄暮之光》里的小法院,也会是火柴厂女工那双无情的父母……在《天堂孤影》中,女主角供职的超市就是一台冷酷机器, 它将女主角推入爱情热浪,也用地位和阶级的思想,渗透给她对于爱的踌躇不定。

“你何不现在就走?”

与此同时,学习英文的男主角还没有放弃努力。

录音机里发问:“And it's a lot of fun too, to be in love. Do you think so? ”

他急忙按下暂停键,一字一句的录下回答:我对这个话题相当熟悉。

还有面对女友的突然变卦,他不甚关心原因,只是目不转睛的说完狠话,接受了一个离别的吻,没表情的带上墨镜。朋友问他病了吗,回答,是的。我们还去收垃圾吗?不去。看着这一幕幕的我,有点想笑,又很想哭。

你带给我的只有悲伤和痛苦/但那没关系/我能装作无所谓/我不会告诉别人/如果你现在离开我/我将心碎/但不会表露出来/……

女主角那一次匆匆离开,右手拎着全部家当,左手则拿着一个收音机。阿基电影中,无数次出现了唱片机、车载音响、收音机,最热烈的地方永远是有乐队演奏的酒吧。人们静静地听着,喝着酒,内心深处暗流涌动,表面却只有烟雾缭绕。沉默寡言,擅长冷眼旁观的北欧人啊!心思都在歌声里,爱恨从不愿说出口,那种冲动与无畏,单纯与浪漫,伤感和纯情,全归给阿基一手的音乐好品味上了。

从垃圾车里捡出来一张唱片

啥都没有也没关系,还有音乐唱出我心声,总能把丢了的爱找(夺)回来;要我一辈子干垃圾行当我自然是毫无怨言,但我不能给冰冷机器打工,要我死在硬邦邦的车轮之下,这才是我最不能接受的人生——既是阿基影像中,乐观、朴实、忠诚又浪漫,倔强而勤奋、一意孤行、说一不二、眼里不揉沙子的芬兰人。

谁都有资格追求爱情。哪怕是个垃圾工,也可以拼尽全力向往更好的生活;爱情是平等的,哪怕是在这不甚公平和充满压迫的社会。

最后,《天堂孤影》以阿基的特有方式迅速扭转。

甩了服装店老板,他是谁?不认识。

男女主角一下子硬气了起来,抛下一切,“私奔”前往塔林。值得注意的是,这种临时起意式的冒险和逃离,在其后面作品中逐渐形成风格。

这样看来,“无产阶级三部曲”是可以被戏称为“逃离三部曲”的。而且,相比较《升空号》的坐着船驶向未知,以及《火柴厂女工》更为绝望的悲剧结局,《天堂孤影》中的“跟我一起去塔林吧”浪漫大胆,让人对爱情和未来都充满向往。栖息在孤独中的两人,终于可以摆脱生活暗影了。

即便是在高福利的芬兰,也会有很多不完美、不如意的事情发生,也会有寄居社会边缘的可怜人存在,也会有人受伤流泪,也会有人需要关心和关爱,需要尊重。阿基考里斯马基用这一种不变的视角给予他们同情,用在影像中创造美好而平等爱情的方式为他们的希望建造梦巢。电影里的happy ending未必都能顺利实现,但这份愿望也能算作另一面的希望,不是吗?

请记住,孤独是常态,而爱能带来薄暮之光。

http://music.163.com/song/4197204/?userid=552420741

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 3 ) FIFF27丨DAY2《天堂孤影》:工人离开工厂,去往他方

第27届法罗岛电影节第2个放映日为大家带来主竞赛单元的《天堂孤影》,下面请看场刊影评人的评价了!

米米

也许不管是资本主义还是社会主义,人最重要的拥有就是亲情,友情,爱情吧。

孟山

爱情是城市边缘人的慰藉取暖,资本是寸步不离在周身的压制,桃源是大船驶向未知的远方,哪有什么理想国

dama.W

都说布列松式,感觉只有肢体特写和表演是布列松式的,最大的不同是摄影机的运动,创造了不扁平的空间,布列松比较忽视空间。第一次看阿基还没太搞明白他,故事就是这么一回事。看多几部再评。

Andrea

她只在落难时找他,他却始终如获至宝。

一桶猫

冷色调的背景只有她身穿红色大衣 一如极简的台词却能如此饱含爱意;底层小人物逃不过现实的残酷 坐在垃圾车里也有别样的浪漫

Sanders03

第一部阿基,冷峻简约,音乐太好了

消亡之人

阿基的气质真是太独特了。 片中的人们总是板着脸,面容肃穆,好像要去执行些什么秘密任务,让剑拔弩张的空气弥漫在身周。怒气时刻在酝酿,但他们从不与所爱之人争吵,只是把所有的力气用来在生活的低谷里挣扎、出拳。 他的冷峻并不让我感到“幽默”,事实上我产生一种幸福感和安全感,因为我知道,只要他们还能绷住那张扑克脸,就有无限的,特工一般的能量潜藏在他们的身体里。 这大概是他赋予这些小人物以尊严的方式。

快乐王子

怀揣着政治梦想,但我坚信世界上没有理想国

三色堇紫

阿基·考里斯马基“无产阶级三部曲”序曲。极简的对白,大量的沉默片段,简短却层次丰富的故事,繁琐生活和爱情趣事的交织,底层人民的真实生活写照,平凡且艰苦,温馨而浪漫。动听的乐曲在响彻,浪漫的氛围在弥漫,沙滩上的深情一吻,随着逐渐燃烬的烟丝化作温暖的美好瞬间,难以捕捉。生活里的变故,不被信任、不被理解、不被关心,试图靠报复来弥补生命里的缺失部分,却落得一无是处的下场,两个人的相互慰藉,是杂乱现实里唯一的寄托。故事的结尾,他们携手逃离了这片是非之地,渴望得到爱神的祝福,却始终逃不过命中注定的不安与困苦。

伊菲吉妮娅

底层小人物的朴实生活,现实终是冲不破的囚笼,无可奈何的挣扎,残酷中却又满含温情,阿基的配乐太高端了!

FranzCamus

孤独的人并不可耻 肆恣的呈现才是阿基想要的表达。摇滚乐 酒精 边缘人群的爱情 殊途同归。

#FIFF27#第2日的场刊将于稍后释出,请大家拭目以待了。

 4 ) 给我一杯断肠酒

“给我一杯断肠酒”是我下载电影版本里面的一句台词,翻译得准不准确尚且不论,但这个通常出现在宋词里面的词语却给这部本来有些酸楚苦涩的电影增添了些许黑色幽默的滋味感觉。
导演拍了三部曲,而且是让很多人不齿的蓝领三部曲,蓝领在中国意味着什么?意味着一辈子不见天日,又或者是抬不起头做人,在朋友聚集的时刻还要扮演被人奚落嘲笑的角色,这真是可怕。我从来就很抗拒蓝领,在看这部电影之前,但当我看过之后,我并不觉得做一个蓝领有什么令人不妥的地方了,只不过,是在芬兰,又或者是在天堂里面。
芬兰是诺基亚的故乡,不知道这家公司每年能从中国人手里掏出多少人民币外汇,电影里面的芬兰并不像我想象中的那样漂亮,甚至不干净。
蓝领们每天一大早起床上班,比如电影里面的男主角,他是收垃圾的,这些人穿着制服,开车,上路,停车,收垃圾,中午吃午饭,然后在日落时分下班,结束一天的生活。
简简单单的生活有什么不好,而男主角的朋友,一个干了几十年的老男人这时异想天开要开一间公司,还想好的广告词什么“值得信赖的垃圾回收,始于1986”这真是疯狂的事情,而且这个双眼浮肿发黑的老男人还有一个令人叫绝的理由,他不想死在车轮下,他要死在办公桌后面。死就是死,死在哪里又有什么区别呢。
结果,他真的死在车轮下,导演那个镜头刚好是他躺在车轮下面,头靠在车轮边上。
收了几十年垃圾,到最后死也死在垃圾场里,如果这个人生下来就知道他要干这个干一辈子,连死都要和垃圾在一起,他一定会想的更多。
男主角,这个男人是导演的御用主角了,导演的每部电影好像都有他,这个其貌不扬,有点小滑稽的背头,头发留的还挺长。
电影里本来简单的生活被一个超市女员工打破了,他和她相恋之后,他以为自己可以重新开始一种新的有些意义的生活,他每晚都去上课所学的英语说不定可以派上用场,他们可以到一个更好的地方,他找一份更好的工作,他们结婚。
但是,几天的欢愉之后,她还是觉得沉默单纯的他没有意思,她又离开他,寻找新的自由。
“给我一杯断肠酒”于是,当他的胖同事来找他一起上班的时候,他带着墨镜直躺在床上。当他说他死也不去的时候, 下一个镜头又直接切到影片开头那组工作的画面,男主角还是机械地站在垃圾场的尾部,右手拉动滑杆。
音乐也无法让他释怀失恋的痛苦,他还是想着那个让他心动的女孩,于是他不顾一切地找到了她,要与她一起离开那个伤心失意的地方。

末尾 ,轮船在阴霾寒风细雨中缓缓驶向远方,深蓝的海水在风中起伏滚动,一首老式的摇滚歌曲响起,就像歌词里面所说的那样:“生活本来就是痛苦的……”他们的未来也终究逃不过苦难,但他们很快乐,因为他们找到了生活中真正值得珍惜的东西。





















 5 ) 随想

第五部考里斯马基,看出了卓别林的味道来。

《天堂孤影》就是加长版《狗没有地狱》。出狱的男人,等待的女人,被歧视的阶层,心灵空虚的人们百无聊赖地活着,爱情的激流恰逢其时地出现,至于结局导演决定,总是让男女主人公抛下一切、义无反顾地离开,那是多么复杂的心情啊,里面有放弃现有一切的自弃快感、从头再来的非凡勇气、远赴异乡时的张皇以及坚定、忐忑不安的幸福,我想,男人再也不必以旁击側敲的方式去问女人“跟我在一起觉得无聊吗”,因为冒险也因为爱情他们必然感到一种前所未有的新鲜、浪漫、满足。最后一个镜头总是告别,《天堂孤影》里载着两人前往塔林的轮船驶离码头,前来送行的朋友发动他的垃圾车离开港口,垃圾车发动时飘出几缕烟,随风而去。告别唯一的朋友。《狗没有地狱》里火车在黑夜里飞驰,男人就着窗外的微光张望着什么,女人问:“你在看什么?”“看它还在不在。”男人回答。女人问:“谁?”男人答:“祖国。”然后火车彻底进入黑夜,再也看不见了。这是告别祖国。

几部电影看下来发现考对俄国执念很深,男女主人公前去的远方总是俄罗斯。考对俄罗斯文学也有自己独到的见解和偏好。

考善于制造些出其不意的小冲突,然后又往意料之外的方向发展,从故事的角度来看是不流畅的,像由一段段颇有仪式感的僵硬小品组成,时时平地出险峰,暂时地阻断观众的视野,而后再给个通往“柳暗花明”的幽径。

考的电影中,人物的言行是否符合常理、故事走向是否处在舆情可控的规范之内,这些都是次要的、可以忽略的,重要的是考的用意,当然还要看到他的审美。

在考的女主角们的骨子里似乎都活着另一个女人,那个随时可以打开门出走的“娜拉”,可以勇敢爱恨,可以冲破,可以反抗。

之所以尝出卓别林的味道是因为考也在幽默,一个伤心的人在讲冷笑话,他想逗别人笑。一会儿又改变主意,或是觉得自己有失自尊,还是庄重些的好,也许是想起来逗人笑并非他的终极目的。于是逐渐板起面孔来,装作冷酷的样子。苦喜剧,我们姑且这样讲,严肃活泼,笑中带泪啊。

 6 ) 小众、冷幽默、浪漫、高分、极简,大爱这样真诚的好片

“人生高速公路上,有太多虚妄的梦想,我真正思念的只有一人。”

是啊,人生很难但幸福的是还可以思念。

很多时候,我们都会觉得生活是单调的,工作,生活,过了多少天也没什么特别的变化。

似乎对于生活,没有好与坏,也只是在生活着。

其实,孤独而又乏味,这是人生的常态。

可是,如果人生中没有了爱情,没有新鲜和渴望,没有那些挣脱出去的瞬间......

简直难以想象。

好在爱情是公平的,无论你是什么阶级,什么样的人,都可能会拥有它。

阿基的《天堂孤影》便是这样一部影片,它生动描绘了小人物的孤独又充满趣味的生活。

而其中男主角对待爱情的态度,和最后从生活的枷锁中冲出,不顾一切地奔向远方,都是如此的让人动容。

男主尼坎德,是个沉默寡言的中年男子,做着垃圾清理的工作。

他的生活按部就班,每天就是死板地做事,吃饭,睡觉,偶尔听听音乐和喝点酒找点小乐子。

他没有太大的梦想,对生活也没有特别强烈的追求,唯一进取的地方就是坚持去学英语。

尼坎德工作的搭档,为这份工作卖命了大半辈子,依然穷困不已。

他决定自己开个垃圾公司,并邀请尼坎德一起干。

这似乎点燃了尼坎德对美好生活的向往,他答应了。

没想到,老伙计心脏病发作还是死于这份该死的工作上了。

尼坎德,很痛苦也很郁闷,在酒吧喝酒,没忍住和人打架进了局子。

一觉醒来,他发现身边坐着那个被他打了一拳的人,他们不打不相识。

他为这个同样可怜的家伙,介绍了一份工作并成功顶替了老伙计留下的空缺。

就这样,他们开始再一轮日出晚归的孤寂生活。

生活依然没有想头,直到一次惊人的邂逅。

那天,尼坎德不小心伤了手,他没太在意,之后,像平常一样到了超市购物。

当他付钱的时候,抬头看见了女主伊罗娜。

她身穿红衣,在冰冷的环境里格外热烈,像是一下子击中了他。

她也察觉了这个男人的紧张和对她的好感,她提出帮他包扎伤口。

短暂的接触,幻想在慢慢的滋长。

两个同样孤独的人,在另外一次相遇后,慢慢靠近了。

尼坎德穿了西装,开着车带着一束花,和伊罗娜约会。

这个没经验又无聊的家伙,先是问她去哪里好,最后,又将她带到了英语培训班。

这扼杀了伊罗娜对浪漫生活的想象,他们不欢而散。

但是生活多的是残酷和无可奈何,伊罗娜一年内被辞了三次。

而这一次是因为超市经理的女儿即将毕业了,她被找借口辞退了。

她无法忍受继续苟且下去,选择了当场离开。

生活的不堪让她看不到爱情的光,但她似乎又渴望着爱情来打破生活的苦闷。

终于,在大街上和尼坎德再度相遇后,她主动邀请他去散心。

于是,尼坎德欣然接受,并到了提前约定好见面的朋友家,向他说了原委。

并向朋友借钱和白衬衫去泡妞,他老婆不给钱,于是他偷了女儿的储蓄罐里的钱给了尼坎德。

接着,尼坎德和伊罗娜度过了一段特别的爱情时光:

想靠近又羞涩,第一次开房还是开了两个单间。

沙滩看海和鸟,相视无言但终于亲上了。

去高级餐厅吃晚餐因为没位置而没吃成,在路边吃竟也算开心......

之后,他们同居,他们分离,他们和自己的内心交战,他们痛苦不已.....

尼坎德外表冷漠,但内心火热,他从未忘记过她。

他不会表达爱意,但每次想她了他就会穿着整洁去找她,并带上一束鲜花。

即便是,他没有情敌有钱和帅,但他依然对爱执着,不会自卑而是勇敢地迎上去...

在她走后的某一天,尼坎德如期在学习英语,话筒里传来了关于爱情的话题。

他不禁喃喃地道:我从很多角度考虑过爱情,比如伤害和不完美也是一种乐趣。而身处其中的人却很严肃,可笑,很可笑,也很有趣。

然后,他像是想通了什么,冲了出去。

他再次找到了伊罗娜。

而她对他依然很冷淡。

他知趣而走,独自舔着爱情的伤。

伊罗娜她和新交往的男友,也来到了高级餐馆用餐,她想起了她和尼坎德那次来这家餐馆的经历,顿时她觉得孤单极了,忍不住离开了。

她去尼坎德家找他,没有见到,因为他不幸地被人打伤住院了。

所幸,他醒来后再次去找他,完全不顾她这段时间对他的冷淡,他直奔主题:

【我是来带你走的,蜜月旅行总不能一个人去。

她回他:工作呢?他说:辞了。

她又问了句:你能养活我俩么小土豆。他接着回:小意思。】

于是,他们在失去一切后,携手,为爱而逃。

伴随着一首浪漫深情的摇滚乐和缓缓流去的海水,他们登上了奔向远方的轮船。

似乎,前面的一切都为了最后的爱情、逃离和摇滚乐。

影片的力道一下子出来了。

也许,离开也似乎只是一种无力的浪漫。

我们也不知道他们是否会幸福下去,或者离开后又会有新的残酷,但在登上船的那一刻,他们幸福极了。

正如网友评价的那样:他们只剩下彼此了,这反而是一种力量。

片子整体的氛围是偏冷冷的孤独的。

人物之间的爱表现的没有那么热烈,他们的爱情很安静,都那么不善于表露,而最后的不顾一切地炙热和笃定,反而突出了灵魂相通相惜。

如果孤独是解不开的迷,那么爱能带来温暖的光。

所以,如果有个像尼坎德一样的人,对你说这样无聊又动人的情话:

“我什么都不需要。我是尼卡德,以前是屠夫,现在收垃圾,牙齿和胃都不好,肝也不行了。”

这般真诚地交代自己,而又对爱有着虔诚的渴求,那么不妨好好珍惜吧。

PS:阿基电影里的音乐总是那么伤感又温柔,总是能够轻易打动人心。

尤其是本片结尾处那首深情的摇滚歌曲也太好听了,忍不住分享一些它的词:

抬起头,我的爱人,你看那灯火通明的公园。

我的心思念你,在这里孤单地跳动。

请快些吧,快回家吧。

人生啊,如此短暂。

快回来,你给了我一切,我的爱,我的全部。

快些吧,快回来,这里一切都是你的。

但爱人啊,尽管我这样请求,我知道这些都是徒劳的。

尽管我思念你,日日夜夜,不要迎向我,因为你也知道,生活只会带给我们痛苦。

别匆匆回到我身边,这里的阴影会把你淹没。

别匆忙,看这美丽世界,在这里,看不见泪水。

情绪稳定的东dong

 短评

不知是否有人会像我一样认为此片和北野武那部奇妙地互文。芬兰初夏,阴郁的海...

7分钟前
  • 鸡塔
  • 力荐

哎呀,坏坏的可耐的阿基大叔阿基大婶啊……

9分钟前
  • iceman
  • 力荐

和《升空号》其实差不多,甚至是最后也同样是以坐船离开圆满收尾。依然是无产阶级的爱情故事,但可能是三部曲中我最不喜欢的一部了。3.5

13分钟前
  • 方枪枪
  • 还行

我居然好喜欢阿基早年的这部!爱是人最后的尊严。男人自语道:“我从很多个角度考虑过爱情,比如伤害和不完美也是一种乐趣,而身处其中的人却都很严肃。”结尾的歌,如同咏叹调,情感直白:“抬起头,我的爱人。你看那灯火通明的公园,我的心在思念你,在这里孤单地跳动。请快些吧,快回家吧。人生啊,如此短暂。快回来,你给了我一切。但爱人啊,尽管我这样请求。我知道这都是徒劳的,尽管我思念你,日日夜夜。不要迎向我,因为你也知道,生活只会带给我们痛苦。别匆匆回到我身边,这里的阴影会把你淹没。别匆忙,看这美丽的世界。在这里,看不见泪水。”

14分钟前
  • 夜第七章
  • 力荐

“我什么都不需要。我是尼卡德,以前是屠夫,现在收垃圾,牙齿和胃都不好,肝也不行了。”收垃圾的男人每次见到心爱的女人都要带一束花,要有多爱,才能回答的这么卑微。不许诺未来,全然交代过去和现在,情话无聊又动人。

18分钟前
  • 疼疼(电动版
  • 推荐

老鼠与人类的基因差别只有15%左右,沙发土豆肥皂剧和考利马斯基的区别也差不多,不过前者乐于展示张牙舞爪或面目扭曲,而后者则把那些浅薄完全摒弃,冷的彻骨也热的灼心。

20分钟前
  • 托尼·王大拿
  • 推荐

开场的赫尔辛基收垃圾佬太酷了,“没有极限”,“可信赖的垃圾处理,始于 1986 ”。不过这部电影和贾木许那部片子的名字,未免太像了吧。而且我明明没看过——怎么一直念叨要坐一趟去塔林的游轮呢?

24分钟前
  • 木卫二
  • 推荐

垃圾处理从86年开始,问我想要什么没意义,你带给我的只有伤和痛,佛罗里达只有芬兰人和唐老鸭,你能养活我俩么小土豆。。阿基典型的风格

27分钟前
  • 琧婯
  • 推荐

8/10。清垃圾箱时捡到一张唱片,卑微的苦中作乐也能点燃希望;喜欢男女主角初次相遇那段,她的大红衣服在冰冷的环境色调里格外热烈,主动要求帮他扎伤口,两人的脸胀得偏红;餐厅门卫、服装店老板借口阻拦进入,饱受打击的底层仍不把悲伤挂表情上接受怜悯,顶多独自醉一场,缄默是他们争取尊严的方式。

30分钟前
  • 火娃
  • 推荐

曾经不想让别人知道自己的男友是个收垃圾的工人,如今,与男友一同坐在垃圾车里,脸上却闪烁着充满幸福的笑容。爱情是无产阶级仅剩的骄傲。【联合国教科文组织】 芬兰影史十五佳NO.14

32分钟前
  • 有心打扰
  • 还行

把时间打乱,《火柴厂女工》重生后变得冷酷无情厌倦男人,碰上了另一个时空男版的自己垃圾车男工,两人结婚后去了《勒阿弗尔》,过了平淡幸福的几十年,帮助了一个黑人小男孩,happy ending。这是阿基的电影宇宙。

35分钟前
  • 判官
  • 推荐

爱考利斯马基就是爱一种肥皂剧 演员、台词、调调 一万年不变你也不烦

37分钟前
  • 皮革业
  • 推荐

友情 爱情

42分钟前
  • 还行

“无产阶级三部曲”第一部。听了张大磊的推荐来看,还真是相当动人。考里斯马基的体系太强大,以至于他的这种高度限制的表演方式(绝对可以顺到德莱叶-小津-布列松的体系里,反而不是塔蒂-罗伊安德森-苏雷曼这个体系……)与其实有些离奇的情节在体系里非常自洽。对孤独感的刻画真是入木三分(别忘了这片其实是个风格独特的情节剧啊,差点还走向黑色电影)。开头垃圾车的段落真是漂亮(一瞬间穿到肯洛奇-达内那儿)。剪辑风格干脆利落,居然都不留气口……

46分钟前
  • 胤祥
  • 推荐

顺着作品年表开始看阿基,有点理解为什么仁科喜欢这个导演,确实很戳文艺青年的点。

48分钟前
  • 子夜吴歌
  • 还行

最后依然是上了一艘大船,那红色的镰刀锤子,航向苏维埃的塔林。年轻时代的卡蒂·奥廷宁,稍微折腾一下也没那么丑了。

53分钟前
  • 巴伐利亞酒神
  • 推荐

匆匆看了后半段,结尾觉得很浪漫

54分钟前
  • Sandrelli
  • 力荐

太喜欢了,是那种拿出手机备忘录记笔记的喜欢,对无产阶级的孤独感刻画没有流于俗套,而是非常地冷峻和轻巧。

55分钟前
  • 皮格马利翁
  • 力荐

“我是来带你走的,蜜月旅行总不能一个人去”,真他妈的浪漫。他们未来或许仍逃离不了痛苦,但上船的时刻他们无比幸福

56分钟前
  • SundanceKid🌈
  • 推荐

考里斯马基总是很有趣:)

58分钟前
  • 闻人林
  • 还行