危机四伏

HD中字版

主演:米歇尔·菲佛,哈里森·福特,米兰达·奥图,詹姆斯·瑞马尔,凯瑟琳·汤

类型:电影地区:美国语言:英语年份:1950

 优质

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 红牛

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 剧照

危机四伏 剧照 NO.1危机四伏 剧照 NO.2危机四伏 剧照 NO.3危机四伏 剧照 NO.4危机四伏 剧照 NO.5危机四伏 剧照 NO.6危机四伏 剧照 NO.13危机四伏 剧照 NO.14危机四伏 剧照 NO.15危机四伏 剧照 NO.16危机四伏 剧照 NO.17危机四伏 剧照 NO.18危机四伏 剧照 NO.19危机四伏 剧照 NO.20

 剧情介绍

 长篇影评

 1 ) 一步错,满盘皆落索

中国古语有云:一步错,满盘皆落索。哈里森 福特在这部影片里所扮演的正是这样的一个人。他表面是大学教授,为人师表。但事实上他一直陷入在父亲的阴影里,而且又步入了中年危机。生活对他而言就是有心无力。但这一切不足以成为他拥有外遇,又杀死情人,最后为掩饰罪行再欲杀妻行凶的罪恶。人就是这样,用一而再的错误来弥补最先前的小纰漏。另外,就是米歇尔.菲佛老了,很不忍心见到她眼角和颈下的皱纹。那时她是那么美丽。

 2 ) 多年相爱,不如谎言伤害

看完《亡命天涯》后紧接着就看了这部
觉得同一个人演绎两个完全相反的丈夫角色,更能看出哈里森的功力

《亡命天涯》故事发展的过程高潮起伏,但终章有些过于单薄
而《谎言背后》则是平淡中渐渐积蓄爆发的能量,到最后丈夫杀意迸发的那一段让我的心脏承受了极大的冲击
兜兜转转
原来这个和妻子美满幸福的男人对于他们的婚姻有诸多不满和愤怒
原来他瞒着她与年轻女孩有一段婚外情
原来他犯下重罪
为自保,狰狞着曾软语温存的脸要置她于死地,穷追不舍,即使自己毁灭也要拉她陪葬
谎言重复千遍,依旧无法变成真实
所以伊丽莎白寂寂等在水底,不过就是要一个了结
于是有了那一枝躺在雪中鲜红的玫瑰,那么无言的沉重
那是一段婚姻以不同凡响耸人听闻方式结束后留下的伤疤
所以最后她在雪地里的背影那么孤单而凄凉
那么多年的美满和睦,却以此作结
只有伤害才能让人深刻,抵消了所有曾经的美好甜蜜,不能用时间平复

这部片子,从一开始看的时候是慢节奏的生活片,而后发展成悬疑推理片,进而转化成灵异片,最后变成惊悚片
看得觉得有些疲劳,故事的情节有些太过慢悠悠
哈里森福特的演技很出彩,所以四星不为过
《亡命天涯》的情节发展紧凑,哈里森福特和汤米里琼斯都演绎出色,只是结局有些单薄苍白,而且感觉上与经典还是有所差距,所以只得四星

 3 ) 一个精神病患者怎样找到真相呢?

The rhythm of Robert Zemeckis’s movie is superb. Which gives the movies a lot of power and meaning. Rhythm in life is more than half of the meaning. Every moment of your life is an opportunity to enjoy the rhythm. Even the absolute mundane can be meaningful given the right rhythm.

Always remember: life is not about what we do, but how we do it. The purpose of life is to do things with a rhythm, not to necessarily accomplish certain things.

The story is essentially about how a woman seeks the truth about her past.

1. OPPORTUNITY is something happens to make the protagonist view everything from a different perspective.

2. CHANGE OF PLAN is when she takes initiative to seek the truth, including being forced to confront the truth by the husband. Just before POINT OF NO RETURN, she knows what is wrong by confronting with the neighbor.

3. At the POINT OF NO RETURN, she is reminded of her past and gets the identity of the ghost.

4. HIGH STAKES is when she goes to find the mother of the ghost and brings its hair home so that she can be hosted by the ghost. Then she remembers everything about her husband’s infidelity.

5. EVERYTHING IS LOST is when she has given up searching for the truth and burns the hair.

6. FINAL PUSH is when she brings the box from the lake and his husband shows who he really is.

Page 0Michelle in the tub, awakening from a bad dream.

Page 3Introduction of the daughter and the dog.

Page 4Introduction of the husband and the neighbor from afar arguing.

Page 5Sending the daughter to the university.

Page 6Couple alone in the bedroom. The perfect relationship. Sex competition with the neighbor.

Page 10Michelle alone in the house, looking at her old stuff, feeling overwhelmed, but doesn’t know why.

Page 13The wife next door is also crying and terrified of her husband, which worries Michelle so much that she asks Normal to check on the neighbor, who is also a professor. (THE EMOTIONAL OPPORTUNITY THAT CHANGES THE WAY THE PROTAGONIST LOOKS AT EVERYTHING.)

Page 15Discuss with Norman about her worry about wife next door.

Page 17Michelle finds a slipper with blood on it. Chat with her best friend who believes in psychic about her stress: a new house, sending daughter to college and also the car accident.

Page 19At night, Michelle spots suspicious activity of the neighbor carrying a body.

Page 21Something suspicious about the door. The dog also acts funny and she finds a body in the lake. (THE SERIES OF EVENTS MAKE THE PROTAGONIST CONNECT THE NEIGHBOR WITH THE GHOST)

Page 24The stereo is turned on by itself, which freaks her so much that she goes to see Normal in the office, where she overhears the drug that renders mammon immobile.

Page 26 Discussion about Normal’s finding about the new neighbor.

Page 27Weird door stuff again. This time it breaks the photo frame.

Page 29Michelle sees the car leaving and she goes to visit the neighbor again, only to be greeted by the cold and evasive husband.

Page 32Michelle’s peeping on the husband is spotted by the neighbor. This is definitely a drastic behavior for somebody like Michelle. (CHANGE OF PLAN AS THE PROTAGONIST TAKES INITIATIVE TO LOOK FOR THE ANSWERS)

Page 33Going to dinner with Normal. Crossing the bridge. (Get the audience used to the idea of cell phone reception.)

Page 35Talking about how they meet and Michelle’s back story. Also the haunting stuff Michelle has been experiencing. The husband is forcing Michelle to face her fear directly.

Page 38Michelle finds a mysterious key under the floor after fixing the picture frame. But she couldn’t find where to use it.

Page 40Michelle finds a ghost in the tub water. And she goes to see a shrink.

Page 43Heeding the shrink’s advice, Michelle gets a wiji board in order to communicate with the ghost. (CONNECTING WITH THE GHOST IS THE CONTINUITY OF CONNECTING WITH THE NEIGHBOR)

Page 50After her friend left, the ghost again tries to communicate with her and telling her initials on the computer, which is the same as the neighbor.

Page 51Michelle goes to see his husband in the office again, which makes the husband angry.

Page 52Michelle confronts the neighbor in the university only to find out that she is completely wrong about who the ghost is.

Page 54Michelle admits to the shrink that she was wrong.

Page 55Neighbor Mary comes to visit Michelle to apologize the wrong impression she gave her and all the misunderstanding has been resolved.

Page 58On the party, an old lady friend reminded her about how she got into the car accident a year ago. (It is the EMOTIONAL POINT OF NO RETURN because she starts to remember her past and she starts to investigate her own past instead of the neighbor.)

Page 60The picture frame is broken again and the article on the back of the picture tells her about a missing girl. And she is able to find the exact identity of the ghost. (PHYSICAL POINT OF NO RETURN AS THERE IS NO WAY THAT SHE IS GOING TO STOP INVESTIGATING NOW. YOU CAN JUST SEE FROM HER EYES THAT SHE KNOWS THAT SHE IS RIGHT.)

Page 62Discussion with the husband about her new finding. Although her husband is skeptical, she is sure about herself.

Page 63Michelle goes to visit the missing girl’s mother.

Page 66Michelle steals the girl’s hair from her room.

Page 68Michelle’s eyes turn green and starts to seduce Norman.

Page 72Michelle loses the hair and begins to remember how she finds Norman having an affair with the girl and how she got into the car accident.

Page 75Michelle talks about the truth of the past with her best friend.

Page 77Michelle finds out Normal being electrocuted in the bathtub after coming home. She thought it was her fault to bring all this because she brought the hair home.

Page 79Normal confesses to her about his infidelity.

Page 83Normal calls an expert to investigate on the ghost until he sees Michelle goes to the lake.

Page 86Normal rescues her from the lake, where Michelle sees a box. They burn the hair.

Page 88Michelle starts playing music again and she can feel that the ghost is gone. Normal pleads with Michelle, who forgives him. They go sailing to let the audience get used to the idea that they have a boat. (EVERYTHING IS LOST FOR THE PROTAGONIST BECAUSE SHE HAS GIVEN UP SEEKING THE TRUTH)

Page 90Taking a bath, only to find the key again, which leads her to Adamant, where she sees that the key is to a box that she saw in the lake.

Page 93Michelle gets the box from the lake, only to find the necklace of the ghost.

Page 94Normal tells Michelle how the girl died and asks for her forgiveness. But she insists on calling the police.

Page 100Normal drugs Michelle and tries to drown her in the tub when she finds out that he didn’t call.

Page 106Normal hits his head when he sees the ghost when he tries to take the necklace off Michelle’s neck.

Page 110Michelle saves herself and regains mobility just before she is drowned in the bath tub.

Page 116Michelle gets out of the house, drives the car with the boat and runs. At the middle of the bridge, she calls the police once she gets signal until she is attacked by Normal.

Page 120Normal tries to drown Michelle again only to be pulled down by the ghost that was struck out by the boat stick.

 4 ) 谎言背后不是鬼

大概是悬疑看的太多,结局在一半的时候就猜到了。对于2000年的片子来说,我们要求不能太苛刻。前半部的紧张气氛渲染的很好,颇有希区柯克那种心理恐怖的味道,表现手法非常老到。碍于剧本人物角色的限制(主要就男女主角),让你不能不猜到元凶是谁。至于前面铺垫的邻居一段,有卖弄导演功底的嫌疑,与故事主线没有太大的关联。出彩的是哈里森·福特和米歇尔·菲佛(特别是女猪脚),可以说片子从生活气息转向灵异恐怖再最终的惊悚,女猪脚的表演非常到位。但总体感觉,和经典还缺些差距。

 5 ) 真相的背后是欺骗

  很久以前就想看了,毕竟是两位重量级的男女主演,今天下午正巧央视六套播出了,从米歇尔非佛饰演的母亲克莱尔叫女儿起床这里开始看的,(应该没开始多久),很幸福的一家人,很和谐很温馨,看得出哈里森福特饰演的丈夫诺曼很爱妻子,(典型的好莱坞式开始),但往往看似和谐完美的家庭却危机四伏,(这里不得不说下它的中文翻译,还是用危机四伏比较恰当),女儿的离开是一个开始,克莱尔开始焦躁不定,说自己看到了鬼魂,在这里影片的镜头感还有剧情发展都恰到好处,步步为营,牢牢的抓住了我的眼球,想看又怕看(大概是不太看惊悚片的原因,总有点怵),然后,克莱尔开始怀疑是自己的邻居玛丽遭到了自己丈夫的施暴,原因是这男的平时的确有暴力倾向,她开始窥视探究,可最终的结果却是虚惊一场,这只不过是普通的家庭纠纷,后来的事实也证明,表面看上去不和谐不安定的家庭却没有什么大矛盾,相较之下,看似太平的家庭中却暗藏危机,在一次一次的猜疑和困惑中克莱尔终于还是发现了丈夫和一个失踪女孩有染的过往,也正是这层关系,致使她了解到长久以来困扰她的问题,那个鬼混正是那个失踪的女孩,在抽丝剥茧的过程中她终于还是发现了丈夫才是最终的凶手,(之前的伏笔做的很好,当真相原原本本的呈现出来的那一刻我并没有觉得很突兀),其中借助了招魂驱鬼等情节增加了影片的进程却没有显得脱离现实,正是在这种亦真异幻的现实与幻想以及超现实相互交织的情况下,真相显得那么的真实可信,最后诺曼的转变是有点让人接受不了,特别是当你发现一个和你生活了十几年的男人确又是这样的陌生,你似乎完全不了解他了,而他为了自己的目的却已经开始献计谋害你的时候,你唯一可以做的也就是自保,最后的那个鬼魂的出现我感觉是一种恶有恶报不是不报而是时候未到的感觉,那个女孩最终为自己报了仇,也救了克莱尔一命,所以当镜头拉到墓地,那个墓碑上刻着的不是诺曼而是那个女孩,克莱尔心中的疑惑和不解最终还是解决了。
  看完了片子我想说婚外情的结局最终还是会走向终点,只是会以不同方式结束罢了,那个年轻的生命,那朵在大雪中的红玫瑰,还有克莱尔的背影,都是这场婚外情带给我的启示,天下没有不通风的墙,看得出诺曼是爱克莱尔的,可一次致命的出轨抹杀了他作为一个标准丈夫的所有完美记录,所以男人有时候不能走错一步,因为那将会是另一个不归路的开始。

 6 ) 《危机四伏》的婚外恋:摩羯 vs 天蝎

《阿甘正传》、《荒岛余生》的导演罗伯特.泽米斯基也堪称悬疑惊悚片大导,他的《危机四伏》和《哥西卡》都是恐怖片中经典的作品。哈里森·福特在该片中一改正面英雄铁汉形象,首次饰演反派,密雪儿·菲佛更是将神经兮兮不依不饶的家庭主妇演到极致。

本片从拍摄技术上看,最大的亮点一是恐怖气氛的营造和恐怖心理的节奏掌握非常到位,二是悬疑细节的安排非常精致值得玩味。能做到这两点,就能成就一部成功的悬疑惊悚片。气氛的营造本片胜在以最熟悉最平常的生活场景为恐怖元素:浴室、澡盆、镜子、邻居、丈夫,出彩的摄影和音效十分到位地吓住了观众。节奏的掌握本片胜在前半部分惊吓前持续的让人窒息的宁静,随着心跳声缓慢的镜头移动,然后突然的镜头闪现和音效插入;到后半部分则加大恐吓难度,持续宁静后却是一场空,待观众情绪舒缓麻痹放松后,再突然出现恐怖场景,就像打游击战、斗智斗勇一般吓唬观众,这真称得上一绝。悬疑细节的安排本片体现在多条可能性线索的自然转换,一张一弛,一波平息一波又起,每一个道具,如麻醉药、拖船车、大桥、相册、相框、钥匙、头发、项链、巫书、电脑游戏等等都精心安排,到后面全都有照应的用上。不到最后猜不出结果,到最后才恍然大悟,就是悬疑片的最佳效果。

本片从内涵深度上看,最大的亮点在于对传统话题“婚外恋”作了全新的诠释,新在哪里?不是新在超现实主义的“善有善报、恶有恶报”的冤鬼复仇;而是新在男性和女性如何对待曾经犯下的错误,如何对待名誉、事业、家庭和爱情,对这些老生常谈的两难社会问题作了细致入微的第一视角的刻画。让人感觉这一切发生得如此自然、如此真切,似乎如果是自己,也将不可避免地如此发展,到最后悲剧的结局只能是无奈的叹息。情节的安排带有明显的个性化色彩,诺曼性格是自尊心极强,很要强、很要面子的,在思维方式上非常理性和坚韧,是典型的摩羯座性格;克莱尔则是敏感而神经质、执著甚至有些偏执、好奇心重、占有欲强、报复心重、不依不饶,是典型的天蝎座性格;男土女水这样两个性别典型的星座在一起而且都很强硬,就必然发生非常戏剧性的冲突和激烈的碰撞。试想若是诺曼稍微软弱、感性一点,也不至于下得了手杀妻;若是克莱尔稍微豁达一点,也不至于把丈夫逼上绝路。一部非常人性化的电影,讲述一个非常人性化的婚姻悲剧,这才是本片最为深刻而精彩的亮点。

2005.11.21

 短评

一个亿的投资花在哪里啦?演员的粉底还是烟饼呀?不知道美国编剧折磨中产阶级中年独女的习惯是什么时候开始的。

4分钟前
  • 谢谢你们的鱼
  • 较差

很多年前的了,当年看的时候,那个时代,这部片子绝对值5星,现在大家口味重了,这部很经典

5分钟前
  • 萬徳褔
  • 力荐

7.0/10 分。节奏缓慢,所有的精彩都在最后十分钟。。。

8分钟前
  • Lonely
  • 推荐

几段浴室戏挺抢眼的,呼吸都快停止了。故事在米歇尔最后浴室挣脱到此多好,非得后面加一段血债血偿。福特演反派确实挺意外。多年之后再看觉得前面有些冗长没必要。

12分钟前
  • 火龙果不耐受者
  • 还行

一部很好的电影,菲佛和福特的表演很到位,原来福特也可以饰演这种角色。。

13分钟前
  • Froy
  • 力荐

你在开玩笑吗......

16分钟前
  • 陈德柱
  • 还行

最讨厌戴着悬疑的帽子,拍的鬼片了。

18分钟前
  • sthlost
  • 很差

这个片子其实可以不用鬼来做主题,进悬疑的部分加剧情就可以成为一部经典。哈里森福特的演技绝赞,调查过程安排也不错。女主的失忆和项链盒子等等,都是环环相扣,很好的片子。

23分钟前
  • 文泽尔
  • 推荐

居然还惦记上人家女儿了 禽兽阿

26分钟前
  • 蚂蚁没问题
  • 还行

6/10。揭示真相版《深闺疑云》,夫妻间的莫名猜疑与典型的线索追踪电影混合而成,导演没少偷师希胖,对幽蓝光的运用、动作复杂的摄影机转场、悬疑景别的设置(浴缸快溺的交叉剪辑、捡电话的低角度)。但谜底并没指向希胖钟爱的双重人格,而是顺应了《第六感》后人鬼殊途的潮流。整体没新意,不看也罢。

31分钟前
  • 火娃
  • 还行

让哈里森福特演个杀人犯有点过分。他那么帅那么迷人。哈哈哈哈。这部电影当年看的时候吓坏我了。可以说又是恐怖片又是鬼片。女主应该不爱老公吧。从头到尾都在质疑怀疑老公杀了人。我还一直以为是她错怪了老公。听说这部电影是罗伯特泽米吉斯拍摄荒岛余生期间抽空拍的。大导演就是牛。随便拍的电影都这么惊悚吓人。

36分钟前
  • 李湘
  • 推荐

不知是不是因为当时教室的音效好,是我至今看过的最恐怖的影片了

38分钟前
  • prasava
  • 推荐

很hitchcock,特別是浴室求生一場的剪輯。鄰家女人的線索僅作為隱喻,在這種類型影片中不常見,一般往往會發展成一個關鍵情節。但我反而很喜歡這樣的設置。

39分钟前
  • xi as usual
  • 推荐

悬念的铺设和结尾较为容易猜想到的走向都是没有太多惊喜的,倒是本片中各种镜头语言的运用确实是很多恐怖类型的片子可以好好学学的。高潮部分女主的尖叫和最后尸体还魂的确凿其实并没有必要,回归心理精神照样能说好故事。

40分钟前
  • LoudCrazyHeart
  • 还行

还行吧,邻居太太那段太牵强了吧,强行让女主以为邻居杀人,感觉直接从浴缸见鬼影那里开始也行。大部分惊悚镜头都能预料到,不过最后那里挺紧张的,感觉冥冥之中一切都已经被女鬼安排好了

45分钟前
  • 不酸的橘子精
  • 推荐

导演是恋足癖吗?这片子菲佛的脚部特写未免太多了吧?两个主角都发挥出色,就是这剧情有点滑稽,吓人的点过于依赖一惊一乍的音效,但有几个利用特效/光影制造的镜头还是很惊喜的,譬如菲佛在浴缸乍变死尸脸还有福特在车子后面阴影中突然冒出。75

49分钟前
  • 长袜子
  • 推荐

鬼片就鬼片,能不能别扯恐怖片?本以为是正经悬疑惊悚,好家伙看一半通灵都出来了。又长又磨叽,邻居那条线就占了一半时长结果只是个幌子,快一小时才进入正题。节奏感太差

53分钟前
  • 苏枋
  • 还行

轮番进来吃东西,聊天,看的三心二意的

55分钟前
  • niaoooo
  • 还行

很久以前看的了。比较平庸,没啥不好也没啥好。。。

56分钟前
  • annie妖
  • 还行

经典,我喜欢的女演员,技术上太值得学习了

59分钟前
  • 亢龙无悔
  • 力荐