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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (http://www.input2002.com/en/film/24418.html)
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太压抑
苏俄系的科幻就是这么慢慢慢,简直是要叫观众在睡眠中思考终极问题。。。
翻译字幕再看一遍。绝对是返璞归真……虚构中映射中苏联时代那些鲜为人知的实验。
二战时期,苏联那些鲜为人知的反人性,反科学实验。。
人类的好奇心
3.5
不是用巫术魔力造的golem 是邪恶的科技掠夺生物的优良基因 被驯化的死灵写实主义Pryamokhozhdenie比银色头颅好看
~In Stock~
看过留爪印~
影片以全盘黑白的基调,将历史事实、人类伦理、个体焦虑逐一曝光
完全失去了《银色头颅》时的对声音元素运用得妙入毫颠的惊艳。整部影片十分笨拙,父债子偿的宿命感似乎只能借由角色痛苦的姿态去展现,也未能与杂交伦理的指涉及非人道实验的控诉等完成圆融。
关于直立进化及至杂交的研究观点非常震撼,然而呈现过于含混暧昧。闪回式的交叉叙事模糊且紊乱,或许史料不足是主要原因。毕竟那么重要的罪证,岂能不被销毁并如此轻易流失到民间呢?片中有段酷似“樱花”的东洋乐曲,未知是否暗有所指。总之但闻其声不见其形,不能不说是遗憾了。
苏联禁止听摇滚。苏联人民偷偷把摇滚刻在医院废弃X光片上,做成“骨碟”听,中间的圆洞是用烟头烫出来的。这是苏联五六十年代创造的一种传播禁歌的方式。——这种电影就是苏联人刻在废弃X光片上的骨碟
英文版的字幕,着实让人看的有点DT,还好学的是生物。人类真TMD是这世上最变态的生物。
阿布哈兹人猿实验
7。猩猩本来就是直立行走的嘛
属于那种越科幻越落后的科幻电影,摄影则是特别重视构图的那一类
想看找我
荒诞 & astonishing ending
男主被父亲的反人伦实验遗址索命,也算得上天谴吧。