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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视复仇新娘 A切尔诺贝利·禁区电影版守岛人加勒比海之谜真心英雄2025警视厅生物股长早间新闻第三季幸福的黄手帕领养惊魂影子功德神勇双响炮粤语版35岁的少女异人之下电影版团地皮囊 第三季花样排球蜜蜂蜂巢十五贯诡丝2006老笨格雷斯 第四季你的美丽私人订制2013爸爸的便当世界第一只有大海知道彩云深处风流小站
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视复仇新娘 A切尔诺贝利·禁区电影版守岛人加勒比海之谜真心英雄2025警视厅生物股长早间新闻第三季幸福的黄手帕领养惊魂影子功德神勇双响炮粤语版35岁的少女异人之下电影版团地皮囊 第三季花样排球蜜蜂蜂巢十五贯诡丝2006老笨格雷斯 第四季你的美丽私人订制2013爸爸的便当世界第一只有大海知道彩云深处风流小站