德拉克的回归

德拉克的回归电影免费高清在线观看全集。
　　与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).宇宙之旅性爱大师第四季爱在空气中邓小平登黄山天主之岛不知者有罪无名英雄幸福倦怠机智牢房生活当代小侠星际旅行10：复仇女神谈谈心恋恋爱午夜旋律天坛霸王花之捉鬼女天师无敌小胖眉山我的A级秘密娜塔丽幸运七人组新养鬼吃人扫毒粤语版妖神令喧闹村的孩子们美国女孩19车珠江人家好事行龙可持续食物晚秋奥莉佛是狗，（天哪！！）这家伙 续篇我家娇妻不好惹阴阳路穿黄睡衣的女孩声优女孩站好最后一班岗超市特工 第一季为全人类 第三季马布里街头小霸王第36个故事王牌杀姬利力姆1934费雪小姐探案集第一季捉贼记