难忘的夏天1960电影免费高清在线观看全集。
1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。 Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem. From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).
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纯真的儿童视角电影,结尾的主观镜头堪称神来之笔,7分。
继父的理解支持包容是夏日清凉、冬日和暖,殊为难得,在精神上消解了小男主的孤独、敌意和不安全感,最终达到两人情感的交融。镜头多次以儿童视角来观察和反映环境,敏锐捕捉孩子微妙的心理变化,小演员表演出色,经得起特写的细节描摹。
小谢廖扎太萌了啊,像极了小侄子小时候的样子~
笔墨着重于儿童的玩乐时伴随的成长,还有父母的感情。结尾处直接切到继父满脸泪痕的特写非常动人。在情感这方面,还是可以单拎出来说纯真的。
童趣盎然,低角度孩童视角,小男孩真萌。
难忘的后爹
小小少年,很少烦恼
让人挺舒服闲适的电影。夏日悠长~——
9。目前看过最好的关于小盆友的电影
好可爱的小男孩啊,清澈光影如同主观视角的眼睛,以明亮纯净的眼神打量着世界,对一切都充满好奇,直言抒遣所见所感,这样的纯真幸得有人守护——何止是难忘的夏天,如果没有继父最后大声的决定,他以后的人生之路很可能都会有所改变呢;前半段很有喜剧色彩,而后半段那个落寞的小小背影,却很有“人生忧患识字始”之感,拖着一堆玩具、挂着晶莹的泪珠太惹人怜爱了。最好看的儿童片就该这样拍,不要妄谈道理,只顾至情至性就行;另外政宣片因素的融入并未改变其基调,反倒更顺应人设建立和叙事逻辑。
《压路机与小提琴》、《跟随太阳走的人》、《难忘的夏天》…苏联正太与光影,俱是至纯至萌物~
儿童片,真可爱,真温情。「生活中处处有“必须”」
想看找我
这是今年看过最可爱的电影了。
表演比较用力。有些镜头比较用心,但音乐有点随意。有一个感性的结尾
好小一只啊
1、连个拿皮带抽他的人都没有。这话说的。小男孩家里多了个继父。2、好多仰拍镜头对着小孩,比如蓝天白云下田野里,仰拍俩小孩对话。3、看的这个版本,画质还凑合,就是好多杂音,滋滋啦啦的。4、几个小演员挺好。大导演邦达尔丘克有出演,我不认得是哪一位,估计就是那继父。查了一下,邦达尔丘克演过好多电影。
我也有心脏啊,是滴落在叶片上的泪水、虎口上的纹身和孤独的猴子玩偶。
“We're going to Kholmogori. What happiness!”
one of the best and most poetic children film ever made!