野蛮人柯南

记得小时候父母管教的严，只允许周六看电视，正好这周周日父母都值班，偷偷打开日立彩电发现电视报很准，字幕真的打的是《野蛮人柯南》……一小时间小小的我彻底被美式奇幻电影深深吸引了，正到柯南独闯蛇潭复仇的激烈时候来了个22点插播新闻，我以为这是防止全国孩子偷看电视而停播了就怏怏的睡觉去了……第二天老爸偷偷问我“昨天那电影好看吧？！后来精彩把那大蛇的头都砍掉了！……”那是92或94年吧，那后半部电影成了我永远的梦……

一直对老电影没什么太大的爱好，自从前段时间看了“夜访吸血鬼”，里面的阿汤哥不是一般的给力啊，个人觉得该是他最经典的一部电影了。之后就萌生了看巨星出道时的作品的想法——阿诺的“终结者2”无非是最经典的作品之一，在这之前还有什么呢，然后就搜到了这部电影
关于阿诺的肌肉没什么好说的，而同样是史诗题材的电影，巨石强森演的“蝎子王”感觉就好一些，从取材到配置，比这部电影都好不少。
而最后场景的设置也不怎么喜欢——也许是我们不能理解《荷马史诗》吧，换做美国人可能就不一样了。最后一幕充分展示出了作为一个“野蛮人”该有的全部特质——出于嫉妒的愤怒和复仇之心而砍杀那个人，虽然之前迟疑，那是灵魂中的理性部分在抗争感情的欲望，只是还是失败了，感情战胜了理智。这样的题材怎么能起到感化人的作用呢？怪不得柏拉图会批判荷马，说他根本就不知道什么是真知，他做的只是纯粹的模仿——所以他的故事不应该被我们颂传，更不应该让我们去学习！

   这是一部阿诺早期的小成本奇幻电影，就是大家说的B级片，粗糙但是不低劣，这也是许多成年人在童年时期的美好记忆。


    童年看过最多的当然是国产影视，没接触过多少国外的影片，最早接触的都是一批现在看来粗制滥造的B级片，我和我的小伙伴都惊呆叻，就以为是大制作认为很NB的样子，通过的途径自然是录像带、盗版VCD、DVD，这里面有《活跳尸》、《猛鬼街》还有一大批不知名的怪兽片，小时候老认为美国人的审美有问题，老是喜欢拍大耗子大蜥蜴大怪物的影片，现在想想多好笑，哈哈哈


    言归正传，最早看《野蛮人柯南》就是通过VHS，那种模糊的带着颗粒感的画面至今记忆犹新，导致我现在看高清什么的没感觉了，真奇怪哦


      阿诺，早期是一个只会卖肉的健身教练，后来进入影视圈一发不可收拾了，他早期的电影都是卖肉，这部也不例外，在这部电影中他毫无演技可言，表情木讷动作僵硬，蹩脚的英语，让我记住的就是一头秀发和健壮的肌肉。。。。。。。。。。。


   电影又重温了一遍，超多露点镜头，我肿么就不记得小时候有这些片段拟。。。。。。


   阿诺凭着在本片中面无表情肢体僵硬的表演成功获得了詹姆斯卡梅隆的青睐，最终获得了《终结者》里的机器人T-800这一经典角色，尼玛，面瘫也有出头日啊！！！！！！！！！！！！！！很励志啊有木有！！！！！！！


   正是《终结者》系列成就以后的阿诺，在T1中阿诺出尽风头抢走了主角的戏份，我不得不对阿诺的面瘫演技啧啧称赞！！！！！！！！！！



    本片投资虽小，但是娱乐性十足，很受观众欢迎，拍了许多续集，第一部质量都不咋地（说实在的童年时认为很棒），后面的续集更加惨不忍睹了


   本片还风靡海外，被意大利B级导演乔·达马托（这厮就是什么流行拍什么，西部凶杀魔幻恐怖，还拍了N多爱片）看中，被他翻拍，就是《Ator》系列，这部翻拍片的质量可想而知。。。。。。。。。。。。


   这么粗糙的魔幻片但是诞生了一个超级大牌，所以年轻导演们不要低估你手底下的演员，说不定将来就成为大明星


    年轻的导演应该多看看B级片，这些B级片导演在资金有限的情况下尽可能的满足观众的需求尽可能拍出自己心目中的电影，这份执着的精神值得每一位导演学习，SO，不要看不起B级片不要看不起小明星


   这不是影评，只是有感而发通篇胡扯
    

   片子很老了，考虑到那时候的技术所以我打了三星，不然只给两星。阿诺年轻的时候依旧是个壮汉、肌肉男。
  那个演公主的长得还可以。结局也是，本来可以在山丘那里大战就可以结束了，非要加一段异教徒集会，我x。。。
  

Conan the Barbarian is a film about a young barbarian's quest to avenge his parents' deaths. The story is set in the fictional Hyborian Age, thousands of years before the rise of modern civilization.[2] The film opens with the words, "That which does not kill us makes us stronger", a paraphrasing of Friedrich Nietzsche,[nb 1] on a black screen followed by a voice-over that establishes the film as the story of Conan's origin.[1][4] "A burst of drums and trumpets" accompanies the forging of a sword,[2][nb 2] after which the scene shifts to a mountain top, where the swordsmith tells his young son Conan about the Riddle of Steel, an aphorism on the importance of the metal to their people,[6][7] the Cimmerians.[8]

The Cimmerians are massacred by a band of warriors led by Thulsa Doom. Conan's father is killed by dogs, and his sword is taken by Doom to decapitate Conan's mother. The children are taken into slavery; Conan is chained to a large mill, the Wheel of Pain. Years of pushing the huge grindstone build up his muscles. His master trains him to be a gladiator, and after winning many pit fights, Conan is freed. As he wanders the world, he encounters a witch and befriends Subotai, a thief and archer.[9][10]

Following the witch's advice, Conan and Subotai go to Shadizar, in the land of Zamora, to seek out Doom.[11] They meet Valeria, a female brigand, who becomes Conan's lover. They burgle the Tower of Serpents, stealing a large jewel—the Eye of the Serpent—and other valuables from Doom's snake cult. After escaping with their loot, the thieves celebrate and end up in a drunken stupor. The city guards capture them and bring them to King Osric. He requests they rescue his daughter, who has joined Doom's cult. Subotai and Valeria do not want to take up the quest; Conan, motivated by his hatred for Doom, sets off alone to the villain's Temple of Set.[12]

Disguised as a priest, Conan infiltrates the temple, but he is discovered, captured, and tortured. Doom lectures him on the power of flesh, which he demonstrates by compelling a girl to leap to her death. He then orders Conan crucified on the Tree of Woe. The barbarian is on the verge of death when he is discovered by Subotai and brought to the Wizard of the Mounds, who lives on a burial site for warriors and kings.[13][14] The wizard summons spirits to heal Conan[15] and warns that they will "extract a heavy toll", which Valeria is willing to pay. These spirits also try to abduct Conan, but he is restored to health after Valeria and Subotai fend them off.[13]

Subotai and Valeria agree to complete Osric's quest with Conan and they infiltrate the Temple of Set. As the cult indulges in a cannibalistic orgy, the thieves attack and flee with the princess. Valeria is mortally wounded by Doom after he shoots a stiffened snake at her. She dies in Conan's arms and is cremated at the Mounds, where Conan prepares with Subotai and the wizard to battle Doom. By using booby-traps and exploiting the terrain, they manage to kill Doom's soldiers. Valeria reappears for a brief moment as a Valkyrie to save Conan from a mortal blow.[7][16] Conan recovers his father's sword during the fight, although its blade is broken. After losing his men, Doom shoots a stiffened snake at the princess. Subotai blocks the shot and the villain flees to his temple.[17]

Conan sneaks back into the temple where Doom stands at the top of a long stairway, addressing the members of his cult. Conan confronts Doom, who attempts to mesmerize him, but the barbarian resists and uses his father's sword to behead his nemesis. After throwing Doom's head down the stairs, Conan burns down the temple.[17] He returns the princess, and the final scene shows him as an old king; the narration says his road to the throne is another tale.[18]