Giraudoux said, you can miss a single being,even though you are surrounded by countless others.Those people are like... like extras.They cloud your vision, they're a meaningless crowd. They... They're an unwelcome distraction.So you seek oblivion in solitude.But solitude only makes you wither. You're the crack in my world. I can think of lots of reasons to stare at you. Really? I can think of about ten of them right now off the top of my head. Okay. - You really want to know? - I really want to know. Okay, um... You're beautiful. Obviously, you're smart. And I can always tell when you're sad because you hide behind your defiance when you are. When you're happy, all of you is happy. Even your hair. You don't have a mean bone in your body,and I thought they didn't make them like that anymore. You're funny. When you listen, you look interested. You're kind. And you wear your heart on your sleeve, which can be terribly intimidating. And you remind me of Joan.
Mr.Morgan对他妻子的爱可以精确到她已经离开了三年两个月11天,在这浑浑噩噩的三年中,他应该有无数次想要自杀,他尝试和别人做语言伙伴学习法语,因为妻子离开了他必须努力生存下去,在一个法语系国家。
妻子的墓碑上也写着他的名字 ,在下葬妻子时,他一直在等着葬在一起的那一天。
感觉老先生其实感觉到他儿子的婚姻有问题但是他没有去深究。老先生在公园行走的时候遇见一个小女孩,一堆中学女生。然后是女主,这能表示他灰死的生活出现的新生。
老先生在雨中把雨伞拿下来的时候,好像在说,我在干嘛,怎么跟一个小姑娘去约会。突然之间消极的情绪又上来了,所以他准备和他的语言学习伴侣告别,他和科莱特说他也要回家了,一个有他妻子的家。
他子女待在老先生公寓时能看到他父亲所以的准备,很窒息,所以他们不愿意待下去。
pauline其实就像是老夫人派来的精灵,和老夫人一样带着光。由始至终老先生对老夫人的爱一直都没有变过,只是在这没有老夫人的世界里,老先生在Pauline身上找老夫人的气息罢了。
老先生是个内敛的人,一直不想变成他父亲那样的人,却一步步成为了他的父亲。所以他对他和孩子的关系一直都不融洽。当他和他的孩子和解后,他整装待发去见他的爱人了。老先生最后的爱,是对生活的爱,是对孩子的爱,是对老夫人的爱。
一个人的一生中总会有对自己来说很重要的一个人。
I stopped looking at my books when I stopped loving life.Well, you don’ t love life itself. You love places, animals,people, memories, food, literature,music . And sometimes, you meet someonehing who requires all the love you have to give. And if you lose that someone,you think everything else is gonna stop too. But everything else just keeps on going. Giraudoux said, you can miss a single being,even though you are surrounded by countless others.Those people are like... like extras.They cloud your vision, they're a meaningless crowd. They... They're an unwelcome distraction.So you seek oblivion in solitude.But solitude only makes you wither.
对一个女孩最美好的赞美
I can think of lots of reasons to stare at you. Really? I can think of about ten of them right now off the top of my head. Okay. - You really want to know? - I really want to know. Okay, um... You're beautiful. Obviously, you're smart. And I can always tell when you're sad because you hide behind your defiance when you are. When you're happy, all of you is happy. Even your hair. You don't have a mean bone in your body,and I thought they didn't make them like that anymore. You're funny. When you listen, you look interested. You're kind. And you wear your heart on your sleeve, which can be terribly intimidating. And you remind me of Joan. 一个爸爸对孩子的爱
All I ever wanted for you was to go out in the world,chase your dreams, find adventure,fall in love, take risks! That's all I wanted for you!
不喜欢那个转折
飞机上看的,有点小温情
温情脉脉,关怀老人啊,Flower姐总是这样另类啊
剧本细节很有趣~表演也令人感到温暖~
clemence长了一张大家都想和她出轨脸(错
电影中文译名太坑爹。从始至今老先生一直爱的只是妻子,全片也只是讲述他对妻子的爱跟如何走出这份悲伤。假如减去另一个的“第二春”觉得这电影会更好。
温情,老年人,有点沉闷
Holy...怎么今天的片都有些奇特 不过挺喜欢的 还有两个主演
喜欢。喜欢大量留白没有台词只有人物在动的一些镜头。失去爱人后因为一段相遇,重燃对生活的热情。对所爱之人的感情没有了寄托,人不在了,思念还在,每天机械般的生活,浑浑噩噩,不知生死,直到两人在公交车上相遇。阴天版《与玛格丽特的午后》。这部阴雨连绵真的很符合迈克尔·凯恩的气质。
「You can miss a single being, even though you are surrounded by countless others. Those people are like extras. They cloud your vision, they're a meaningless crowd. They're an unwelcome distraction. So you seek oblivion in solitude. But solitude only makes you wither.」「There's a crack in everything. That's how the light gets in.」
温暖……契约?
看到Miles和Pauline啃在一起的时候,没忍住说了句"You western people!” [电影院里面一共四名观众]
贾斯汀·柯克好性感啊(*@ο@*) 哇~
SIFF最后一场,全满。不爽的点倒不是跟谁在一起,是那坑爹的翻译!漏译可能是拷贝不同可以原谅,但是"You seem to know the way around pretty well."翻成“你看起来很担心。”,呵呵后,剩下的懒得列了。片子本身也是浪费演员的cliché,对我而言就前40分钟值得看。打分无能。
明明是一个晚年丧偶的老人,被一份爱消耗到油尽灯枯的故事。他一生只做了一件事,就是不遗余力爱他的妻子。而女主角愈是年轻美好,愈是让老人感到世界已将他拒之门外,他曾倾心热爱的一切,都早已不在、不再。
瞎了,最后妹子被儿子搞到手了。
节奏过于拖沓,迈克尔凯恩的演技足以将留白过多处填充起来,不过在情节上的掌控实在是令人不敢恭维,人物之间的关系暧昧原本是影片的一大特色,可是因为在此铺陈不足,反而变得一头雾水,若不是悠长惬意的镜头,就会毫无特色
孤独实在是太多人心中难以治愈的伤痛。
摩根先生们的第二春。。
万物皆有些须缝隙,那光辉便由此洒落。第一个悲哀是,父亲选择了闭嘴,宁愿被怨恨也不肯把儿子教育成自己那样的,可这一切还是不可阻挡的发生了。因而父子俩对paulin的感受完全一致:“能为这屋子里带来阳光”。第二个悲哀是,既然已经和解了儿子、且已经失去了姑娘,那就默默消失吧。